Luz Almanza, Jaime Peña and Rocio Campos have more in common than living around the same football field, the site of one of Colombia’s most horrific massacres. On 16 May 1998, all three lost a family member. Their organizing in search of the disappeared and defiance of state impunity is what binds them.
“The Ken is considered to be one of India’s cleaner rivers. It is part of the Ganga basin and meets the Yamuna at Chilla Ghat in Banda District, Uttar Pradesh. To closely understand the Ken, this walk along the Ken was organised by SANDRP – South Asia Network on Dams, Rivers and People from Delhi and Veditum India Foundation from Kolkata. The difficult terrain of the Ken River and the harsh weather required this journey to be undertaken in multiple parts (June 2017, October 2017 and April 2018) and took 33 days to complete this over 600 km journey on foot, where they discussed issues of the river, water, agriculture, the proposed Ken Betwa project and other socio-environmental topics with villagers in over 60 villages.”
Born and brought up in Guwahati, I have a bond as deep as an umbilical cord with the city. Living outside the city and the state for almost fourteen years now, I have been through my academic and creative pursuits in the recent past, trying to explore non-mainstream narratives of Assam. This is a project that I embarked on since 2016 where I am trying to map the cityscape through my camera.
Northeast India is littered with concrete. From winding flyovers to towering churches on village hillsides to surveillance towers housing paramilitary forces, concrete is an integral to the region’s urban and rural landscapes and everything in in between. What can all this concrete tell us? What stories does it open up? What can questions about politics, power, development, and culture concrete rais
Six freelance photographers document the ‘Bhima Koregaon’ protests on the 3rd of January in Mumbai, representing themselves not as members of the mainstream press who clearly ‘not welcome’, but as people who wanted to document history in the making
Here is a place where it is a matter of pride to be casteist and a matter of pride to be against people who are not your own creed or clan. With relation to the current election, one thing I heard repeated over and over again by the people I met (privileged upper caste) was that Congress is a “Muslim” party and will bring back the riots of the 80s and we have already shown them their place on the other side of the river and we don’t want them back.
After receiving the recent accolade of “Festival capital of Europe” – Meghalaya gets its first participatory festival of BAD ROADS.
Tagging two of his friends, Mizanur Rehman, a young primary school teacher of Naskara Lower Primary School in lower Assam’s Dhubri district, uploaded a photograph in the morning hours of 15th August on his Facebook timeline. The photograph featured an elderly man, a male adolescent, and two toddlers saluting the fluttering Indian flag while murky flood waters rose upto their chest, threatening to engulf their salutations. By afternoon, most people had seen and shared the post, the image itself had been catapulted to the heavenly skies of social-media circulation. Detached from the original context, it moved freely as a lone object.
Remembering Prof Yashpal – Scientist, Progressive & Science Populariser
Souvid Datta’s work has always been problematic, that is independent of the recent plagiarism charges or the ethics of photographing a trafficked minor being raped. The fact that his work got to travel tells you all you need to know about the nature of what constitutes the photographic industry today.
Mrigank Kulshrestha’s photoessay on the journey of silk from the moth to fabric in Assam
Bhogtoram Mawroh ridicules the Right
STICKBOY EXPLAINS MEGHALAYA GOVERNMENT OFFICER PRIVELEGE
Download & Print 2017 Calendar for a taste of Shillong
#shillongFTW #touchmyself #kobornor #dorphang #kissoncheek #gothejob #meme
LBWWWWW ESCALATION!!!! #JustShillongThings. SHILLONG FTW reads the weather
The story of Nangeli is a disputed one. Academic historians have yet to find sufficient external evidence of the events the story describes. For me, the veracity of the facts is less important than the singular fact that the story exists, and continues to be told. It narrates the protest, anguish and anger of those who are excluded from the reach of our collective conscience because they have no text, and therefore no ‘history’. This comics story first appeared in Art Review Asia and is dedicated to Rohith Vemula (1989-2016), who, like Nangeli, chose death over a life of indignity.
Dear Raiot readers, after the year-end monetary megalomania of Modi-bhaiya, Bhogtoram Mawroh brings us some black humour as respite from the RBI madness.