With or without the political intention of its makers, history itself has placed a mountain of representational and creative responsibility on Axone. Immediately after its…
Axone was a much awaited film- simply because it promised ‘to speak for the Northeast ‘-the mainstream after all has taken so long to look east and whenever it has chosen to ‘speak’ for us – it has always been distorted and misrepresented, steeped in stereotypes. Axone’s promise to speak of ‘lived realities’ of the people of the Northeast-in choosing Axone as the title and the theme of the movie- to engage with questions of racism through food politics- there really could not have been any better time than now to bring forth the harsh truth of racism experienced by people of the Eastern region. But all it did- and very problematically- was to cater to these crucial questions from a very privileged and elite position, almost similar to the stance of the mainland- lacking depth, ignorant and oblivious of the ‘lived realities’ that it seeks to represent. Interesting debates have already been forth from the Northeastern community it seeks to represent; my purpose therefore is to introspect on the representation of the Nepali character of Upasna Rai as ‘part of’ and yet different from the Northeast.
Axone, an extreme comfort food, rarely has an in-between. You either love it or hate it. It seems the film Axone by Nicholas Kharkongor, has gone the same direction as well. Much criticism has been poured on it in terms of accuracy and how it has dealt with many important issues, especially to North-easterners, on racism and discrimination. With everything else going on in the world, perhaps the film seems weak to many in its stance on these issues in light of present social and political conflicts. Thus, it has been chewed down, digested and excreted with all the stench to put off anyone going near it.
I enjoyed Axone thoroughly. Both the food and the film.
Axone, the film is being critically received and widely acclaimed for depicting the racial discriminations faced by the people from the Northeast in Indian metros, an aspect that has assumed a special significance due to a spike of racist attacks and discrimination against people form the region in different cities of India as the panic around COVID19 grows. Nicholas Kharkongor, the director of the movie, made this connection too in an interview to Outlook calling the movie has come in the right time, as “the idea was to be able to tell the story of Northeast people’s experience of living in a big city.”