SOULMATE was formed in Shillong, in October 2003 when Rudy Wallang and Tipriti Kharbangar decided to start a band dedicated to playing the Blues and committed to spread awareness about the music to the rest of India, whether the country was ready or not. Rudy was already a legend in North East India, making his name with the region’s most respected and seminal bands like Great Society and Mojo, while Tipriti was the little girl with the big pipes whom everyone knew was going places.
In 2018, the musical North, West, East and South of Shillong have all combined to give us this very talented group of young musicians whose EP ‘Tempted’ is out now in all the world’s digital stores. They call themselves Blue Temptation and comprise, at some point or the other, Gregory Ford Nongrum, his elder brother El Nathan Ford Nongrum, Shepherd Najiar, Manavon Massar and Vincent Tariang (also of Soulmate). These five young men encapsulate Shillong’s old histories and musical geographies but, as they should, also burn them to the ground. Greg, El Nathan and Shepherd (Shep) are from ‘the West’ but they barely remember the Highway Band anymore and their journey into the blues was as simple and complex as the music itself. Manavon is a keyboard player/sound system blaster/DJ from the ‘Roots Region’ and his dreadlocks and patois, are therefore quite historically grounded. Vincent too is a direct descendant of the ‘Roots Region’ and I’m sure, his father Rudy Wallang must’ve played a small part in his love for the blues.
Some would argue that the Blues are a part and parcel of one’s life – like the cobras dancing. In it one’s politics, one’s commitment, passion and love churn. It is a position that keeps one constantly discontented and dissatisfied, but never cynical and bitter. So, it’s a pity for me that when The Blues Circus gets on stage this coming Friday, there won’t be a substantive documentary on Peter marking this occasion.
Maybe this will never be on the cards because it’s tough getting him to talk about himself. Because there’s much more to him than his many guitars, and the ritual he makes of polishing them with his ‘Mist and Wipe” spray specially made for Fenders.