The story of Nangeli is a disputed one. Academic historians have yet to find sufficient external evidence of the events the story describes. For me, the veracity of the facts is less important than the singular fact that the story exists, and continues to be told. It narrates the protest, anguish and anger of those who are excluded from the reach of our collective conscience because they have no text, and therefore no ‘history’. This comics story first appeared in Art Review Asia and is dedicated to Rohith Vemula (1989-2016), who, like Nangeli, chose death over a life of indignity.
It is very hard to actually begin to categories and study Khasi Comics. It is an even harder task to actually find the copies of these comics. However, if you are fortunate and lucky enough to find such comics, you become a privileged witness and an amazed observer to the history of the comic book in Meghalaya; specifically the Khasi Comics. In Meghalaya, the comic book art form is very young; starting approximately around the 1980s and from that period until the present date, very few works have emerged.