Tag: Music

August 1, 2019 /

SOULMATE was formed in Shillong, in October 2003 when Rudy Wallang and Tipriti Kharbangar decided to start a band dedicated to playing the Blues and committed to spread awareness about the music to the rest of India, whether the country was ready or not. Rudy was already a legend in North East India, making his name with the region’s most respected and seminal bands like Great Society and Mojo, while Tipriti was the little girl with the big pipes whom everyone knew was going places.

June 17, 2019 /

Bah Skendrowell Syiemlieh’s inability to sing in English made him a not-so-sought-after singer by the urban elite. However, he has remained “the singing story teller” for many in the villages and small Khasi towns that till date are considered ‘Nongkyndong’ (a derogatory term used by the urban elite to paint the village folks as village idiots).
Even the posthumous Padma Shri in 2008 did not help to raise his image among the Khasi urban elite. His songs have remained the subaltern art of a subaltern rural narrative. But despite this his courage to sing about himself as a son of the village bore him great success when without any inhibition he sang ‘Ah Moina’ in the Mawiang dialect.
The Mawiang dialect comes along with the rural, rustic life that he held dearly till his last days. Nobody ever imagined that a song sung in one of the West Khasi Hills dialects would ever be appreciated.

January 25, 2019 /

Absolute ‘consistency’ is perhaps not a desirable quality and much more so with questions and figures of culture. But Bhupen Hazarika’s jajabor/nomadic inconsistency, and so perhaps the ups and downs of the journey of those whom he sang for and about, is historic. Riding on the energy of the communist-led peasant uprisings which lasted up to the mid 1950s in Assam, Hazarika’s radicalism borrowed directly from the ‘people’s singer’, the communist legacy of Comrade Bishnu Rabha and Jyoti Prasad Agarwala…
With the ever more naked rightist turn in the political life of Assam’s middle classes in the late 1990s, Hazarika followed suit. With the formation of the NDA government (Asom Gana Parishad or AGP was part of the coalition) in 1998, his political journey came to its culmination with viewing the rabidly communal RSS as the authentic agent of social transformation. He even contested a Lok Sabha seat from Guwahati (which he fortunately lost) on a BJP ticket in 2004, with its cadres blaring his humanist plea ‘mahuhe manuhor babey, jodihe okonu nabhabey…bhabibo kunenu kuwa, xomonia’ (‘if man doesn’t think of man … who will?’) on their election vans…

March 31, 2018 /

Easter is one of those times of year when even the most irregular churchgoer can feel impelled to don their Sunday best and attend a service. This joyful highpoint of the Christian calendar – and the darker-toned days of the Passion which precede it – may not nowadays have quite the same all-pervading presence in the secular consciousness as Christmas. But this time of year has captured the imagination of composers through the ages – not least because the Church was one of the few steady employment options available for composers for centuries. The result has been some of the best-loved, most enduring, and most ethereally transcendent pieces in the choral repertoire.

October 21, 2017 /

He started his career in music at a very young age of 6 Years playing in church services and winning many music competitions at a very young age.
At a time when many of his school mates where preparing for their final exams, Manfulson was busy playing as a session musician in studios making music for iconic albums like those produced by the Khasi Students Union. He continued playing for bands like Conbrio and others. Meanwhile he continued playing in gospel albums produced by the Bible Society India Shillong Auxilliary and innumerable other albums.

October 19, 2017 /

We have almost become numb to the many lynchings that happen on a regular basis in India these days, especially of Muslim citizens (men, mostly). But, the lynching of a Manganiyar musician was almost like a personal affront. I have had a memorable encounter with the Manganiyar or Merasi community in 2014 and I always wanted to write about them. I never knew of their caste structures and hierarchies till I visited them in their village. I am just going to write here about this Merasi musician, Dapu Khan, and my encounter with him. The Merasis are the voice of the desert, they have been and will remain so.

February 24, 2017 /

Each and every opening line of the songs featured in this book ‘Ka Marynthing Rupa’ by L. Gilbert Shullai takes me back to the time when western music took root in the flesh and blood of Khasi musicians and when it seemed like the music itself was going to be an integral part of Khasi culture. Perhaps, this was possible because there hadn’t emerged at the time Khasi musicians who were skilled enough to understand the intricacies of songwriting. In those days, Khasi songs had a very strong mainland Indian influence and they were performed mainly in theatrical shows in places like Jowai, Mawphlang, Mawngap, Marbisu, Sohra, Mawsynram and among the Seng Khasis in Mawkhar.

February 15, 2017 /

Shillong has a tag of being a ‘rock capital of India’. It is like a rotting signboard that greets you when you approach the periphery of the town. For this day and age, a tag like that is distasteful and the perceptions and assumptions rising out of that stereotype is derogatory towards other musicians.

December 18, 2016 /

Raioteers, once a week we deserve to unwind after the crappy craziness of Indian politics and the gradual obliteration of our senses and so we thought we would introduce a Raiot Jukebox to nudge out the noise with soothing (and sometimes not so soothing) music. If you have a jukebox to share do send us your playlist.

November 26, 2016 /

Raioteers, once a week we deserve to unwind after the crappy craziness of Indian politics and the gradual obliteration of our senses and so we thought we would introduce a Raiot Jukebox to nudge out the noise with soothing (and sometimes not so soothing) music. If you have a jukebox to share do send us your playlist.

October 5, 2016 /

Some would argue that the Blues are a part and parcel of one’s life – like the cobras dancing. In it one’s politics, one’s commitment, passion and love churn. It is a position that keeps one constantly discontented and dissatisfied, but never cynical and bitter. So, it’s a pity for me that when The Blues Circus gets on stage this coming Friday, there won’t be a substantive documentary on Peter marking this occasion.
Maybe this will never be on the cards because it’s tough getting him to talk about himself. Because there’s much more to him than his many guitars, and the ritual he makes of polishing them with his ‘Mist and Wipe” spray specially made for Fenders.

December 4, 2015 /

MIA has sold over a million copies of her albums and god knows how many more downloads and in contrast to Bollywood actresses attempting crossovers, hers is really the story of a girl from south Asia making it big in the west. The fact that she made it by rapping about issues that most pop stars wouldn’t touch with a barge pole is all the more remarkable.