Category: Words

January 6, 2016 /

What does one do in Shillong, but observe,
Fancy people walking on stilts of insecurity.
Poor people justifying their fate as victims.
Never mind a Dylanesque aura about this town,
Which is so fake.
Never mind the so called Christian culture,
Which is so adopted.

December 8, 2015 /

Rumi always has the same questions for him. The first one is, “Can you understand Farsi?” Avtar nods, even though he does not understand the language. When he is awake, it always torments him that he is a liar even in his dreams. Rumi continues in Persian, which Avtar now understands because he has lied about it, “Do you know what murder is?”

November 21, 2015 /

‘In Defence of our Present – On giving up the National Awards’ is a booklet released by Solidarity with FTII, a group of filmmakers who came together to protest against the blatant disregard by this government for plurality, tolerance and secularism in the country as well as their attempts to destroy the excellence of institutions like Film and Television Institute of India. The booklet brings together statements by filmmakers on returning their National Awards as well as essays on the struggle of FTII students. You can download the booklet

November 9, 2015 /

Raiot is excited at publishing first of the extracts from Eat Dust : Mining and Greed in Goa by Hartman de Souza. For a zine published from Meghalaya, the other frontier of Mining in India, it is fitting that we learn from Goa – that raving beach infested greed fest.

November 5, 2015 /

It is fair to say that in any writing of the history of western music in India, Shillong would deserve a chapter. It is just that the writing of this chapter has become way too problematic – too many loose ends, too many grand unifying theories. The culture of western popular music in Shillong has no shortage of hagiographers. In fact most of the writing on this field has been gushy, uncritical and downright fallacious (there have been so many that it would be worthwhile to bring out a compendium of these).

November 1, 2015 /

Only aspect of this work that depicts matriliny and what it does to girls lies in the context behind the pictures. Without that background, this is, sad to say, a blatant exhibitionism of the girls of the village, culminating in a series that doesn’t quite capture the empowered status of these girls but antithetically subjugates them to the desired outcome of the viewer who in this case is Karolin Klüppel.