Pink, whose script was written by men, didn’t quite challenge patriarchal conservatism. It merely took the variables already at hand—those of male centrism and sexism—and used them to make its story digestible to a conservative public.
Our contemporary political foes are utilitarian fixers. They constitute a crafty, marauding band. Mushrooming like festering weed, they are particularly severe on all forms of political art.
Pink: Feminism Undermined
Pink, whose script was written by men, didn’t quite challenge patriarchal conservatism. It merely took the variables already at hand—those of male centrism and sexism—and used them to make its story digestible to a conservative public.
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