Cooped up in a little apartment in New York, Mir Suhail, Koshur (Kashmiri for the uninitiated) artist extraordinaire, has been struggling, like the rest of us, to make sense of the arcane pandemic. Perhaps the talented cartoonist’s art ensures that he has better tools at his disposal in this endeavour than most of us. On the other hand, he shares a burden all Kaesher (Kashmiris) must bear—the India occupation of Kashmir and the utter lack of compassion for and solidarity with Kaesher by most of the global community. That probably balances out any advantages his art might supply.
Tag: Graphic Art
So, from the killjoys of Raioteers, another belated new year gift. This time Shillong is on the move in the times of NRC & CAA. Samrat Ray and his nostalgic graphic world of ML05‘s local memories are here once again. You can click on the images to view the gallery and scroll down to download high resolution pdf of the calendar to print. Also, remember that we make this gift for personal purposes – any profiteering idiot wanting to sell the hardcopy will be appropriately amended.
So, from the lazy and anti-nationalbunch of Raioteer, another belated new year gift of Shillong’s ethnically mixed up celebrities. Samrat Ray and his nostalgic graphic world of ML05‘s local memories are once again here. You can click on the images to view the gallery and scroll down to download high resolution pdf of the calendar to print. Also, remember that we make this gift for personal purposes – any profiteering idiot wanting to sell the hardcopy will be appropriately dealt with.
[Download & Print] 2018 Calendar celebrating localities of Shillong
STICKBOY EXPLAINS MEGHALAYA GOVERNMENT OFFICER PRIVELEGE
The story of Nangeli is a disputed one. Academic historians have yet to find sufficient external evidence of the events the story describes. For me, the veracity of the facts is less important than the singular fact that the story exists, and continues to be told. It narrates the protest, anguish and anger of those who are excluded from the reach of our collective conscience because they have no text, and therefore no ‘history’. This comics story first appeared in Art Review Asia and is dedicated to Rohith Vemula (1989-2016), who, like Nangeli, chose death over a life of indignity.
Samrat Ray’s bitter sweet tribute to the churches of his hometown
(Raiot Exclusive) Remember your schooldays in Shillong
As a teenager living in Hyderabad in the mid 1970s, I had briefly befriended a group of Palestinian students studying at the Osmania University and living in an apartment in my neighborhood. I don’t remember their names or much else about them, but I do remember tasting Hummus for the first time when they shared some with all of us after a game of ‘gully cricket’!